‘No!’ exclaims Nunciata, the stubborn Corsican grandmother, when she is begged to put an end to the vendetta between her family, the Fabiani, and their enemies, the Pietra Nera clan. Set against a backdrop of tragic deaths, voracious lust for vengeance and passionate love at the height of the Napoleonic Wars, this ‘lyric drama’ composed by Saint-Saens in 1906 was premiered at the Opera de Monte-Carlo and dedicated to Prince Albert I, who had commissioned it. Saint-Saens demonstrates here the full range of his style, interweaving Debussyan chords, melodic lines a la Massenet and aggressive rhythms worthy of Prokofiev. Above all, he displays a feel for the theatre eminently characteristic of French opera, and one can only imagine how successful this score would be if it found it’s way back onto the stage. It was not without reason that after it’s triumphant premiere in Monte Carlo, L’Ancetre was staged in several cities in France, Belgium, Switzerland a