Born Booker T. Washington White, Bukkas trajectory as a blues performer follows a familiar template for his time. Born in Mississippi, maybe in Houston, MS maybe in Aberdeen, MS maybe in 1902, maybe in 1909 or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented Well, I mostly played guitar.

During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukkas career went dormant. And then, like many of his time, his talent was rediscovered in the early 60s, in no small part thanks to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout the 60s, building interest in Bukka Whites Delta roots. This compilation of Whites best early material was first issued in 1969 (1970 in the US), collecting Bukkas 78s recorded for Vocalion and Okeh. His influence on rock performers of that day cannot be understated. He opened for rock bands hed inspired at venues like The Fillmore, played his instrument in such a fashion that some said its like he was trying to destroy that guitar, his most famous guitar, a 1933 National Duolian, was even known as Hard Rock. And then theres the fact that his song Shakeem On Down was so influential on Led Zeppelin that they, borrowed from the song for both Hats Off To Roy Harper and Custard Pie.

Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo, a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer, and as celebrated here, one of Americas blues pioneers.