Even though 2021 is only three months old, FULLY FINISHED STUDIO OUTTAKES is undoubtedly the top candidate for this years Rare Sound Source Award. After all, the contents of the precious sound source, which has the highest quality and the volume of three CDs, is so shocking that maniacs can’t help but cry out, “I’m glad to be alive!” On top of that, there was a limited number of original overseas releases, so it’s no surprise that this resulted in even more enthusiasm among enthusiasts. Well, it is precisely because such shocking excavations occur even once in a while that collecting rare sound sources is unstoppable. As a result, it was even covered in the British popular press, and the fact that it was speculated that the cause of this leak was “hacking” shows how shocking it was. The biggest thing is not only that the outtakes were recorded with the highest sound quality, but also that each sound source was finished in a condition that could be released as is. Although it is such a shocking masterpiece, it is also true that there were some concerns from the beginning of its release. Let’s list them. ? There is no sense in the order of the songs. They were not arranged according to the era of the recorded sound source, but were arranged randomly. It seems that the only concept was to record the sound source of the “BRIDGES TO BABYLON” period, which is one of the highlights, at the end of each disc. ? Inaccurate recording data This may have been the biggest problem. There were cases where the credited recording data and year were completely different. ?Sound skipping during the intro of “Strictly Memphis”. This is also a big drawback. Perhaps it was a mistake during master production, but the intro to Disc-3 “Strictly Memphis” was recorded with the sound skipped. It also hurts that this happened to an unreleased song that is popular among enthusiasts. In light of these issues, this time we took advantage of the late release, thoroughly re-washed the data of each sound source, and rearranged the sound sources in the order of recording. In addition, we will release a renewed version that is far from a mere reproduction, with the highest sound quality and the removal of noise that was occurring in several places. Disc-1 1. She’s Doing Her Thing (1967)*vocal version of “Title 15” aka “Dream Pipe” Naturally, the opening song is this song, which was an outtake of “THEIR SATANIC MAJESTIES REQUEST”. An unreleased song whose session footage was previously included on Satanic Box’s “Blue Box” as “Title 15”. I never thought it would be finished as a truck to this extent. It is a vocal arrangement of Mick and Keith’s interaction, which may be the reason why the comical atmosphere has been lost. Even so, Keith’s voice sounds young. 2. Blood Red Wine (1968) This is a familiar outtake of Trident items among enthusiasts, and it is also a song that has been heard in a highly complete state and sound quality for a long time. It is finally recorded with even more sophisticated sound quality. 3. Curtis Meets Smokey (1969) An unreleased song whose title was known until now has finally been discovered. The “1966” data for the original release is a big mistake, and it was actually recorded in 1969. As the title suggests, Mick’s style of singing is reminiscent of Curtis Mayfield and Smokey Robinson. 4. Walk With Me Wendy (1970) This is an outtake that appears for the first time, but from Mick’s screaming vocals and the overall sound, you can easily imagine that it was recorded in 1970, and it was included in the Trident release. That’s not strange. 5. Tell Her How It Is (1970) *vocal version of “Potted Shrimp” Instrumental that was previously credited as “Potted Shrimp” on Trident items, here is the vocal that Mick seems to have added later. but. However, the lyrics are not decided yet, and he seems to be searching for a melody while arranging the words he can think of. By the way, isn’t Stephen Stills the one playing the wah-wah lead guitar that sounds endlessly among overseas enthusiasts? There was some discussion about this, but the phrases actually sound exactly like his playing. What does it actually mean? 6. Criss Cross (1972) This song was officially released last year, but of course the mix is completely different from the version heard there, and Mick’s vocal is still a single track. Many people may find this version more raw and preferable than last year’s version, which had a more elaborate feel. 7. It’s Only Rock ‘N’ Roll (But I Like It) (1973) One of the big highlights this time. It is well known that this song was originally created by Mick and David Bowie in Ronnie’s studio for fun, but was “captured” by the Stones. The original state was finally discovered. It’s a moving version where you can clearly see that the song was really made by three people, with Ronnie and Bowie joining Mick’s lead vocals. 8. Too Many Cooks (1973) Mick participated in a session at the Record Plant produced by John Lennon, and although it is not strictly a Stones recording, it is a long-famous unreleased cover, and now it is a famous unreleased cover. Already released as a bonus to Mick’s solo best. However, this version is an earlier take, and you can tell from the arrangement that the intro is just Jack Bruce’s bass and no Jim Keltner’s hi-hat. 9. Living In The Heart Of Love (1974) It is familiar to enthusiasts as the unreleased song that decorates the beginning of the masterpiece “LONELY AT THE TOP”, but here is a version in which Mick re-sung it in later years. Therefore, the voice quality and singing style are completely different, and there is a theory that the work was done in 1994, but judging from Mick’s voice quality, it is presumed that it was done when outtakes were reused in “TATOO YOU”. Sho. 10. Fast Talking Slow Walking (1974) It is familiar to enthusiasts as an unreleased song discovered in the CD era, but whereas those songs were all monaural, here the sound quality and finish of the track are much better. Recorded in an improved state. Even so, Mick’s lyrics had not yet been decided, and the song was eventually shelved. 11. Scarlet (1974) For a long time, only the title of the song was known, but it suddenly became a major hit last year. There are various speculations about this version, but the track is not as finished as last year’s version, and above all, it is a different mix that makes it easy to understand the difference that Jimmy’s lead guitar does not appear. 12. Built That Way (1975) Even now, it’s easy to find second-hand copies (lol). I was surprised to find a version of the song with Mick’s song that was included in “INSTRUMENTALS” under the title “Heatwave.” It is assumed that his songs were also included at the same time, and the overall level of perfection is on a whole other level. It’s easy to imagine that the song would have been judged to be a bit un-Stones-like, or unsuitable for “BLACK & BLUE.” 13. Fiji Jim (1977) 14. Never Make You Cry (1977) 15. You Win Again (1977) These are all familiar outtakes from 1977, and even tracks that seem unfinished are mixed in this way. I can’t help but be surprised that it has been reborn into a state that is quite listenable just by being properly mastered. 16. Every Time I Break Her Heart (1977) The first outtake that you can tell at first listen that it’s an early version of “Far Away Eyes.” Despite this, the mixing and mastering were done well, so perhaps it was a candidate for inclusion in the “SOME GIRLS” deluxe? The more I want to guess. 17. Covered In Bruises (Ronnie Wood / Mick Jagger on Vocals) (1977) *Ronnie Wood / Mick Jagger on Vocals This is also a surprise, the Stones version of the title song of Ronnie’s solo album “1234”. The performance is more sophisticated in the later Ronnie version, but since Mick is with him here, the singing part is the overwhelming victory. Wasn’t the version of “1234” used as a temporary song? Ronnie’s singing was so loose that it sounded questionable, so I think it’s all the more impressive. Disc-2 1. Not The Way To Go (1978) Outtake of “EMOTIONAL RESCUE” which was familiar to enthusiasts. The scene where Mick instructs the chord progression is the same, but there are parts where his singing is different from the beginning, and this may be the version that was considered for release to some extent. 2. Trouble’s A Coming (1979)aka “Break Away” 3. It’s A Lie (1979) Both are outtakes from the emotional era, which was known for OBR label items, but Mick’s solid vocals and organized The impression changes completely thanks to the balance. 4. Dreams To Remember (1982) From here, outtakes from the album UNDERCOVER period begin, but it is impressive that Micks voice has changed to that of the 80s. What’s even more surprising is that they were experimenting with this kind of R&B even in the sessions for the album, which was led by Mick and introduced cutting-edge sounds. Naturally, the atmosphere is incongruous with “UNDERCOVER”, but if you put some brass on it, it might have been a complete track. 5. Eliza Upchink (1982) A more advanced version of the unreleased song discovered in “FOXES IN THE BOX Vol.1” a few years ago. The intro that Keith started playing is reminiscent of “Had It With You”, and I can’t help but think that this song was one of the hints. On the other hand, it makes me think that this kind of melody was completely lost in UNDERCOVER. 6. (You Better) Stop That (1982) 7. Part Of The Night (1982) *vocal version of “Golden Caddy” Both are previously known unreleased songs from the “UNDERCOVER” period outtakes. , I was surprised by “(You Better) Stop That” where Mick’s vocals, which used to sound far away, were pushed to the front. Furthermore, Part Of The Night is a vocal take that Mick sang more firmly than before. Even so, it’s still at the level of a temporary song, but